7Horse \\ THE START
7Horse began as a hypothetical: What if, longtime band mates Joie Calio and Phil Leavitt thought, we bury our musical past and see if we can discover rock ’n’ roll’s Ground Zero? That question having been explored in bold fashion on their 2011 debut “Let the 7Horse Run,” the blues duo returns with an even deeper sense of purpose on the follow-up, “Songs for a Voodoo Wedding” (due June 10). The larger question: What if the mission were not to locate rock ’n’ roll’s chewy center, but to find and channel their own personal identities?
It's all the more remarkable considering 7Horse started as a trial balloon, with Calio and Leavitt exchanging riffs, lyrics and song sketches via iPhone from their homes in Seattle and Los Angeles, respectively. Those ideas in hand, the pair blew through studio sessions that saw them arrange, refine and record one song per day. The results coursed with rawness and immediacy, and it's a process they replicated in making “Songs for a Voodoo Wedding."
It was during the time between albums that 7Horse received the phone call that would change their lives —— at least, the life of their new project. It was from a representative of director Martin Scorsese, saying that the single “Meth Lab Zoso Sticker” was being considered for use in the film The Wolf of Wall Street. The song ended up with a nice cameo in the movie, as well as an appearance in the trailer. “ There’s a certain level of validation when Martin Scorsese thinks your song is good enough for his movie,” Calio says. “That was the proverbial shot in the arm. We weren't looking for it, but we had done everything right. We'd worked our asses off. And sometimes stuff like that comes to you."
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